The Characters Hidden Values and Needs in To The Lighthouse Essay

The Characters Hidden Values and Needs in To The Lighthouse Woolfs chosen role as an author is to uncover the hidden values and inescapably of her characters psychologies, and by extension of this, those of her readers each frequent actualization of the characters is a real and vividly personal epiphany, the like of which real-life persons do not have such a feel for on a day-to-day basis the characters argon in a very real sense perhaps similarly self-aware to be considered real. (Tansley and Lily at the dinner table each learn their situations perfectly.) The underlying message Woolf seems to be seeking to present is that this self-knowledge is not inescapably inherently of any worth Tansley, for instance, is unable to control his desire to mortify opposites in his own mind to prop up his own perilous self-esteem his realization of this fact is not an empowerment to alter the fact. Lily feels muted in a similar fashion years after their utterance, Tansleys row (p94) women cant write, women cant paint, though cushioned with the knowledge that clearly it was not line up to him but for some reason helpful (also p94), still cannot be only discounted from her mind. Lilys struggle to marshall her memories into a cohesive and enduring monument of shroud is a metaphor for the intensity of human experience the significance existence that ultimately it does not matter for that intensity will not be retained even then, no matter the struggle once captured the populace of the situation fades, and it is time to move on. Her efforts are symbolic of the inability for the power of memories and emotions to be lastingly captured so strong is this urge that her desire to imprint a meaning upon events perpetuate... ...have been more verbose and less nebulous in bound (in MS ... more explanation is given p233, in MS, Tansleys ungodliness is more emphasized and contrasted with Lilys belief p227 and there are records of many other editing outs or smoothing revision.) It is not difficult to imagine that Woolf would have been exceptionally gratified by a comment which she made about another(prenominal) author in a critical essay that a domesticate offered (p248) a complete presentation of life ... as always he creates carelessly, without a word of comment, as if the parts grew together without his willing it, and broke into break in again without his caring. Woolfs version is more forced but perhaps this is what is essential for a work of such questing magnitude. Seeming spontaneity requires patience. Works Cited Virginia Woolf, To The Lighthouse, Penguin ordinal Century Classics, 1992